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 QUESTION:  
   
  I am a teacher of   Religion at a High School in England. At the moment I am teaching 10   pupils (they are 15 years old) about function in worship / symbolism /   deeper meaning of the items that can be found in the church buildings of   the mainstream Christian denominations.  
   
  I am from the Anglican church and therefore had to do some research on the Orthodox Church.  
   
  I would really value it if you could give me some ideas on the   following: What, in your opinion, is the meaning/function/symbolism of   the main items found in your church building?  
   
  I am thinking particularly about:  
   
  Ikonastasis 
  Ikons 
  Royal Doors 
  Incense 
  Sanctuary 
  Vestments of the priest 
  Altar  
   
  Why do these things look the way they do? How do they -- or how are they supposed to -- help in worship?  
   
  ANSWER:  
   
Thank you for   your enquiry. While I will have to be brief in my answers -- to cover   each topic fully would fill a book -- I hope the following information   will be of help to you.  
 
What, in your opinion, is the meaning/function/symbolism of the main items found in your church building?  
 
Ikonastasis and Ikons 
Icons have   been described as "windows to heaven." They are an aid in worship and   prayer, focusing our attention on the Kingdom of God. The iconostasis,   which in its present form developed around the 11th century, serves as   an aid in our liturgical worship, rather than as an obstacle to "seeing   what the priest is doing." On the iconostasis one finds numerous icons   which recall for the faithful the story of our salvation in Jesus Christ   and stand in testimony to the "wonderful things the Lord has done."  
 
Royal Doors 
These serve as the   primary entrance into the altar. Only ordained clergy may walk through   the Royal Doors, as only they have a reason to. On the Royal doors are   icons of the four evangelists and the Annunciation, although there are   variations on this.  
 
Incense 
Incense is not something   found exclusively in the Orthodox Church, of course. As we read in the   Psalms, incense signifies our prayers rising to God as a sweet   fragrance: "Let my prayer arise in thy sight as incense, and let the   lifting up of my hands be an evening sacrifice."  
 
Sanctuary / Altar 
In the Orthodox   Church, the space in which the altar table occupies a central place is   called the "Altar," and only occasionally referred to as the   "sanctuary." This is the counterpart of the "Holy of Holies" in the   Jerusalem Temple. It is in the Altar that the services are performed,   and only those having a role in celebrating the services should enter   it.  
 
Vestments 
While some people   mistakenly believe that the vestments of the Orthodox Church are   designed to "adorn" the clergy in a "special" way, this is not the case.   Vestments serve to hide, in a sense, the individual characteristics of   the priest, as these could indeed become a distraction in focusing on   Christ. As St. John Chrysostom writes, "Christ does not appear until the   priest disappears."  
 
*** 
  Why do these things look the way they do?  
   
  The cut of the vestments, style of the icons, shape of the altar, etc. look the way they do because that is how they evolved.  
   
  While the vestments of the Orthodox Church and the Western   tradition have a common origin, their ultimate development varied from   place to place. For example, the stole in the Orthodox Church is   buttoned together -- in the West it is not. No particular reason --   that's just how it developed.  
   
  The "chasuble" of the west -- known in the Orthodox Church as   the "phelonion" -- had the sides cut out in order to free the priests'   hands and arms. In the Orthodox tradition the front was cut out in order   to accomplish this. No theological or "symbolic" meaning here either --   just a practical problem solved.  
   
  In every instance, it is critical that meanings and "symbolisms"   are not concocted to defend the development of things of a purely   practical nature.
  
   
   
   
   
   
   
   
 
Published in January 2011. 
 
 
 
 
 
  
 
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