Film Marcelino pan y vino

If I speak with the languages of men and of angels, but don't have love, I have become sounding brass, or a clanging cymbal. If I have the gift of prophecy, and know all mysteries and all knowledge; and if I have all faith, so as to remove mountains, but don't have love, I am nothing. If I dole out all my goods to feed the poor, and if I give my body to be burned, but don't have love, it profits me nothing. Love is patient and is kind; love doesn't envy. Love doesn't brag, is not proud, doesn't behave itself inappropriately, doesn't seek its own way, is not provoked, takes no account of evil; doesn't rejoice in unrighteousness, but rejoices with the truth; bears all things, believes all things, hopes all things, endures all things. Love never fails. But where there are prophecies, they will be done away with.

Christian Portal

Christian Resources

Vote!


	Film "Marcelino pan y vino"

The Miracle of Marcelino (Spanish: ''Marcelino pan y vino'') is a 1955 Spanish film. It was a success, and other countries have produced versions of it. The 1955 film was written by José María Sánchez Silva, who based it on his novel, and directed by Ladislao Vajda. Its stars were Rafael Rivelles, Juan Calvo (who also starred together as Don Quixote and Sancho Panza in the 1947 Spanish film version of Cervantes's Don Quixote) and the young child star Pablito Calvo (no relation to Juan) as Marcelino. The background score and the film's theme song are by Pablo Sorozábal.

The story, revised and modernized in both the book and film, dates back to a medieval legend, one of many gathered together in a volume by Alfonso el Sabio.

Plot

The story revolves around Marcelino, an orphan abandoned as a baby on the steps of a monastery in eighteenth-century Spain. The monks raise the child, and Marcelino grows into a rowdy young boy. He has been warned by the monks not to visit the monastery attic, where a supposed bogeyman lives, but he ventures upstairs anyway, sees the bogeyman and tears off back down the stairs.

At a festival, Marcelino causes havoc when he accidentally lets some animals loose, and the new local mayor, whom the monks would not let adopt the child because of his coarse behavior, uses the incident as an excuse to try to shut down the monastery.

Given the silent treatment by the monks, Marcelino gathers up the courage to once again enter the attic, where he sees not a bogeyman, but a beautiful statue of Christ on the Cross. Remarking that the statue looks hungry, Marcelino steals some bread and wine and offers it to the statue, which comes to life, descends from the Cross, and eats and drinks what the boy has brought him. The statue becomes Marcelino's best friend and confidant, and begins to give him religious instruction. For his part, Marcelino realizes that the statue is Christ.

The monks know something is strange when they notice bread and wine disappearing, and arrange to spy on Marcelino. One day, the statue notices that Marcelino is pensive and brooding instead of happy, and tells him that he would like to reward his kindness. Marcelino answers: "I want only to see my mother, and to see Yours after that". The statue cradles Marcelino in its arms, tells Marcelino to sleep - and Marcelino dies happy.

The monks witness the miracle through a crack in the attic door, and burst in just in time to see the dead Marcelino bathed in a heavenly glow. The statue returns to its place on the Cross, and Marcelino is buried underneath the chapel and venerated by all who visit the now flourishing monastery-turned-shrine.

The main story is told in flashback by a monk (played by Fernando Rey), who, visiting a dying girl, tells her the story of Marcelino for inspiration. The film ends with the monk entering the now completely remodeled chapel in the monastery during Mass, and saying to the crucifix once kept in the attic: "We have been speaking about you, O Lord", and then, to Marcelino's grave, which is situated nearby, "And about you, too, Marcelino".

The film remains one of the most famous and successful Spanish films ever made, and one of the first Spanish films to become successful in the U.S. as well.

The movie served as an inspiration for the on-going Filipino drama series May Bukas Pa ( English: There is Still Tomorrow). Loosely based on the original, there are several differences between the movie and the series. The protagonist in the series is now named Santino, played by young actor Zaijian Jaranilla. Instead of having the statue of Christ in the attic, it is located within the grounds outside the monastery. Big stars of the Philippines' largest network, ABS-CBN, who produced this series, have cameo roles within the storyline.